Recolor Images to Match in a Layout/Design

This evening, I played in Photoshop with Teddi’s kits (aka: FoxeySquirrel). She just released 5 (that’s five!) new sets of goodies to her Scrapbook Graphics shop. (See note at bottom of page.)

I wanted to use a rather soft colorful background with a bold, dark ‘lady’. The lady is from “Wrinkly“, and the background from “Abstract Backgrounds”, both from FoxeySquirrel. The lady was too dark for the ‘Abstract Background’ I used. I thought about re-coloring the lady, but, that wouldn’t have looked right. Then, I recalled a technique in Photoshop, where you can take the colors from one photo and apply them to another. MATCH COLORS! Aha!

Here are the two images in Photoshop:

So, I opened the background and the lady in PS, each in their own doc (image above). They DO have to both be open in PS. The images DO NOT have to both be visible; they can be in different ‘Tabs’. You only have to see the one you wish to recolor. The two images also need to be close to the same size. I selected the lady image by clicking on it. Then, went to ‘Image’>’Adjustments’>’Match Color’. In the pop up box, look for the ‘Source’ image (2/3 way down the box) to ‘take’ the colors from. (See larger Color Match box image, below) In my case, I clicked on ‘Source’, then, from the list, selected the ‘other’ image, the background. It is in the little box now as, ‘FS_Abstract_Background_9’.

As soon as I clicked, and hit okay, the lady took on the coloring of my background! They look so much nicer together!

If you look at the ‘Color Match’ pop up box, there are adjustment sliders you can tweek the Intensity, Luminescence and Fade, so, fiddle with those to get the best color match you like!

Here is the layout I created using this technique:

Thank you!

 

NOTE: Other elements in my layout from “Tabitha”, by FoxeySquirrel.

NOTE: Sadly, ScrapbookGraphics will be closing shop this month. Maya is just broken-hearted. Go see her video if you wish. Teddi is moving to another shop, which she will announce soon!

Did You Know….

 

“Did you know…” is a series I post with little tips and/or tuts. I haven’t been posting much on here as I am rigorously working away at my art.

 

‘Group’ Blending Modes

You may well know that Grouping your Layers in the Layers Panel helps to keep your layers more organised. You just highlight/select the Layers you want to Group, then, click ‘Ctrl/Comm’+’G’. (or go to Menu>Layers>Group) Each layer will be inserted into a Group. Easy enough.

When it comes to Blending Modes in Groups, this is another story! And, NOT a hard one, at all!

Create a Group, and, you will see it’s Blending Mode is “Pass Through”. WTF? This is just so that each layer, within that Group, is being seen ‘through’. Those layers, within that particular Group, don’t change the Layers beneath it.  However, try this. Change a Group’s Blending Mode to “Normal”. With this mode, you can place all the Adjustment Layers and/or adjustments, in general, into this Group and they will only effect that Group. Try it out!

Keep in mind, if you have the Layers in that Group set to certain Blending Modes, they may be overwritten by the Group’s Blending Mode.

Thank you!

On Learning More in Photoshop Than How to Load a Brush

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(A piece I did with Christine-Art’s beautiful hand-painted kits! Look for a related post soon!)

Greetings, fellow traveler, on this wonderful journey we call life! Well, it isn’t always wonderful, is it? But, we carry on, don’t we! We have to.

I have been learning Photoshop for the past 12-13 years. I am past the typical ‘basics’ tutorials, like installing pre-sets, how to use the Gradient Tool, installing a Brush four different ways, etc. Now, I want to learn how to use all those tools, filters, blending modes and pre-sets and all the other features of Photoshop. I want to learn techniques. If that is what you want, too, read on!

I have news for you. Be prepared to spend a few dollars, unless you are careful and diligent! I took the plunge and signed up for Photoshop Artistry, then, Awake, then Kaizen, all from the same dude, Sebastian Michaels. I must say, I think these courses were an excellent investment in myself! In addition to his course material, Sebastian has arranged, for us, a free membership to ShiftArt, a PS based artistic teaching site, as well. He worked with a site as a gallery for our works. The site, ArtBoja, is set up for art printing sales, too, where you post your own art and they do all the transactions and mailing, etc. Then, there is the magazine, “Living the Photo Artistic Life”, which features some of the best art images each month. We also receive, included in the fees, some of the nicest resources, from great photographers and designers, with artistic licenses on all but a tiny few.

Prior to Sebastian’s groups, to learn techniques in Photoshops, I searched YouTu.be. It is a treasure trove of great tutorials, but, you might want to go with some of the mainstream artists/PS Masters’ channels. Jesus Ramirez, of PTC, does a grand series of tutorial videos, as well as ColinSmith of PS-Cafe. Dave Cross is another top PS genius with his own learning site. There are so many others, but, checking the videos out is the best way to see who you like to follow. Check out ‘Marty’ from Blue Lightening TV! LOL He has the most pleasant voice and only speaks to give the steps and any explanation necessary.

Pinterest is a great place to find tutorials’ and the links to them. Many of the sites I list for resources have tutorials, as well! Sites like SpoonGraphics, Envato’s TutsPlus, PSD Vault, and PSD Box, just to name a very few, are great places to learn techniques that are a bit more involved than ‘how to install a brush’! Many tutorials will say whether they are ‘Beginner’, ‘Intermediate’ or ‘Advanced’ so you can pick your comfort/educational level. Some of these PS sites have a ‘Premium’ feature, in which, for either a monthly and/or yearly fee, you get access to premium-grade resources and/or tutorials, often with the resource files or the original .PSD file included. These range from around $7 to $20 per month, with a discount for the annual rate. It is well worth it to join the sites you get the most out of, if possible.

I must mention, too, the course sites, like Lynda.com, Skillshare, etc. are another way to learn special techniques, with a paid membership. CreativeLive doesn’t have a membership format, but, it offers some awesome courses – live, obviously! After the live course, you can purchase the course with the videos, resources used and even homework! (I have found many of my favorite ‘teachers’ on CL, then, found their websites and followed them from there.) These are priced based on the ‘value’ of the material covered. For instance, Ben Wilmore has been doing a 2 week course “Adobe® Photoshop® CC: The Complete Guide”.  There is a special price while it’s running live, but, then, after completion, the price usually goes up. The sale price on this course is around $130.00, but, trust me, Ben is a genius in Photoshop like you wouldn’t believe! These live courses are usually replayed immediately after for anyone who may have missed the day’s live version. This ‘special’ has ended now.

When I discover a new Photoshop design site/blog that I might like, I subscribe to their newsletter. Most of these sites have this feature. It keeps you abreast of new posts, which may be tutorials or resources, or both! I have done a lot of seeking! I have learned what I know from sites like these and YouTu.be. I like videos, but, reading tutorials with good screenshots can be uber helpful and you can go at your own pace.

With a background in Digital Scrapbooking,  I must mention individual blogs and/or websites. I have learned so much from them! I write a tutorial now and then. But, if your desire is to really learn Photoshop, it would take you ten lifetimes! LOL Some designers/Photoshop-users/artists know their stuff! Some have a sense of design where they have seemingly ‘invented’ techniques, which are their trademark style. These folks are priceless to have in your ‘Follow’ list! ‘Finnabair’ is one of my absolute favorites! And, Maggie Taylor!

I want to take a few lines, here, and say something on individual taught art classes. You know? Like a mini-course from some photographer or designer or another, on how to design ‘just like’ they do. You pay a fee and receive videos and .PDF’s and a dedicated forum, as a rule. I’ve seen classes involving Layer Effects, Blending, Masking, and every other feature Photoshop offers! Choose these courses wisely. One, do you really want to create ‘just like’ a certain artist/designer, or do you just want to learn their tips? Let me let you in on a secret, which brings us to number ‘Two’, most of the material in these courses can be found all over the internet, already! They may be in the designers’ main site or blog, or a dedicated tutorial part of a forum they frequent. Or, Google the term and find thousands of other sites that have tutorials on it. Think about it. How do you think they learned the techniques? I once saw a question in a forum of a shop that is no longer in business. The person was asking how the designer was able to get the brushes to paint ‘dynamically’. In other words, no matter where you paint on your document, the pattern is ‘intact’. The response from the designer was, “We designers can’t reveal all of our secrets.” I wanted so bad to direct the questioner to a tutorial! Um, check the ‘Pattern’ feature box in Brush Settings. That’s it! It is certainly not secret. You can find loads of tutorials on it!

I feel that part of the problem with finding good, helpful tutorials, for what you want to do, from my own experiences, is not knowing what techniques are called. (Do you want to know how long it took me to find out what those ‘dynamic brushes’ were called and how to create them?? LOL) Again, I learned most of the terms by reading.  Throw ‘luminosity masks’ or ‘dynamic brushes’ or ‘reverse layer mask’ into a tutorial and everyone is freaking out! “That’s too hard!” I know! But! All the latter is is a regular ol’ layer mask – inverted. Rather than white, revealing the layer’s image, it’s black, completely hiding the layers image. The beauty of this is that, often, it is easier to ‘paint in’, with a white brush, what you want to see, rather than remove what you don’t want, with a black brush on a white mask. If you lower the mask’s Opacity, you can see enough of the image to paint in what you want. Just be sure to raise the Opacity back up when done! LOL

I have to mention, too, there are some major classes put on each year by groups of designers who each offer their expertise on their given talent/feature, like real-life painting and ‘art journaling’, etc. Think ‘Photoshop Week’, but, mainly for journalers and artsy crafters. Actually, these are more ‘events’ than courses!  “LifeBook” is one that happens every year for the past several years. Scrapaneers does one, as well! Debbie Hodge has a learning website with special ‘Courses’,  loads of info and tutorials and resources. Hers is more from a designer’s point of view. Her site is GetItScrapped.

Word of mouth goes a long way, so, look at the side bars on blogs you visit. If you like the content of a blog, their links in the side bar should be a reflection of their tastes.

This is by no means a complete compilation of places to learn Photoshop. I tried to just touch on the different types of learning/teaching there is out there. I hope this helps someone!

Easily Install Photoshop Pre-sets – All in One Place

I wrote this tutorial one day after reading another online tutorial for installing brushes via the Adobe files on one’s C-drive.  That way works great, cut and dry!  But, it adds to the program’s size and, eventually, this can really slow down the loading and performance of the PS program.

Did You Know…?

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I want to show you all, once and for all, how easy it is to load presets into Photoshop.  This method works for all presets, is semi-permanent and takes very little space on your hard drive.  It’s called the ‘Preset Manager’.

(Note:  I use CS6.  It’s possible that you don’t see all the presets listed in CS6 in Elements.  It is my understanding you can access some others by clicking on ‘More’ in Layer styles/effects.  This may not be correct, so, the best I can do is tell you to Google installing these.  Sorry!)

We already know that a ‘pre-set’ is a brush, style, pattern, color palette, shape, etc.  What better way to deal with these than through the Preset Manager(PM).  You can access the PM by going to Edit>Presets>Preset Manager.

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Or, you can access it by going to any of the preset tools and clicking on the tiny icon at the top on the right.

Image 4

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The Preset Manager

Image 8

This is where all the action takes place.   I have my ‘brush’ manager open.  It’s getting full!  LOL

Now, obviously, as with the tutorial that inspired me to write this one, you can drop the individual presets into their perspective folders in Adobe’s files on your hard drive.  They are inside the program and will be until you manually remove them from that folder.  Follow this path, or one similar, on your pc:  C:Program Files (x86)AdobeAdobe Photoshop CS6Presets.  But, this adds them to the program ‘permanently’, in a way that makes it load slower.  (If you have too many loaded this way, when you try to change or ‘Re-set’ a preset, often, the entire list/menu isn’t viewable.)  I would only recommend doing this for special presets that you use all the time – as in every day.  By adding them to the PM, they stay in the program until you remove them, but, they don’t count near as much, if anything, against the program as far as taking up space and taking longer to load.

Check out the options you have with the PM:

If you want to load a new preset:

Image 10a

A window will open, then, navigate to the preset you want on your hard drive.

If you want to save an assortment of presets you frequently use, click on the ‘Save Set’ button.  (I save the ‘best of’ certain brushes, like ‘clouds’, for example, into one set for frequent use – making sure the designer’s name is on the individual preset for crediting, then, I label the set accordingly and save):

Image 10b

First, click on the preset you want to save.  If there are multiple presets, like if you just created a set of 24 gorgeous rose brushes, you need to click on the first preset, then, hold down the Shift key and click on the last preset you want.  All of the presets in between should be highlighted, too.  Or, you can hold Ctrl/Command and click on each preset, one at a time.  Either way, when you have selected all the presets you wish to save, click on the ‘Save Set’ button. (Some buttons will appear ‘grayed-out’ until you select at least one of the presets.)  Navigate to the place on your hard drive where you want to save and name it something catchy. Be sure to include your name or initials in the title!   Click Save.

Similarly, to Rename or Delete a preset, or presets, highlight the specific preset(s) and click on the appropriate button:

Image 10c

WHEN YOU DELETE A PRESET FROM THE PRESET MANAGER IT DOES NOT GO AWAY FOREVER!  It is just no longer in your manager.  If you need it again, go through the steps to ‘Load’ it again.

When you are done with all your presetting, click ‘Done’.

I use the term ‘preset’ throughout this tutorial.  Replace it with whatever you like – Brush, Style, Custom Shape, etc.  The same PM can be used for any and all presets, except Actions.  Here’s how!  At the top of the PM is a drop down menu.

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You can go to any of the other presets via the same manager.  (Exception:  Actions – no PM.)

So!  Any time you want to know how to load a brush or a pattern, maybe, the only thing you need to remember is the Preset Manager.  You don’t even have to reboot PS when you add a preset via the PM!  Jus’ keep on goin’!  LOL

Any time I can find a way to expedite the actions I perform with Photoshop, it is good.  Keystroke shortcuts are real helpful in performing many tasks quickly.  We haven’t learned any new one’s lately, so, how about this one?

Key-Stroke Shortcut

Ctrl/Cmd>’E’

This keystroke shortcut is one you can use to merge selected layers together.  Say, you are working on a layout and you have created the textured background.  With all the blending modes and adjustments, like Levels and Color Balance, often, when done, you may want to merge those layers together.  This can save space in the Layers Palette for the rest of the layout.  There are other ways to Merge – right-click and select Merge Layers, Flatten, Merge Down, Convert to Smart Object, etc.  This shortcut allows you to select multiple layers (hold Ctrl/Cmd and click on each layer you want to include in merge), then, hold Ctrl/Cmd and hit ‘E’.  Takes care of that!  LOL

I hope these things help you!  If you have any questions, please leave a comment and I will respond ASAP.

Thank you so much for your visit!

Su

Freebie PS Brushes and a Tutorial

A good Tuesday to you!  ‘Tis a little out of the norm for me, but, I had something to share with ya’ll.  I saw a design I really liked somewhere over the weekend.  I wish I had saved the link or something.  Anyway, it was several ‘floral ornaments’, so they are called, grouped together, for a really nice page embellishment.   So, I got the idea of creating some brushes of these ornaments for use in my scrap work and I thought I would share them with you all.  The designs came from Snap2Objects.com.

Click on the Preview if you would like to go snag these Vectors for yourself.  If you don’t know, Vectors, like .AI or .EPS file formats, will open in Photoshop.  They’re all Adobe.  (Directions below.)

  These would look nice behind a photo, as an element, or even as a background design.  You could create a pattern from them, as well.  The uses are only as limited as your imagination!  The ones I saw were ‘grunged’, but, I wanted to leave these ‘un-grunged’ to allow for different looks.  You can always grunge them up after you stamp them, right?  I’ll even show you how, if you want.  LOL  Here we go!

Download, unzip and install the brushes.  These were made in CS6.  What other programs they work in, I don’t know.  I’m sorry.  Open a new document at the size you would like the element to be.  I like 800-1500px, depending on the element.  Make it 300dpi, RGB, 8-bit, Transparent.  You can put a color background if you like.  That won’t matter.  We’ll just be using this to create the element.

Select a brush of your choice from the download and change the size to the size of your document, maybe a slight bit smaller.  These brushes are 1800-1900pxs, so, they are kind of large.  Choosing the color you would like, ‘stamp’ the ornament onto the page, on a New Layer.  You may have to stamp more than once, so, don’t lift the brush until you get the results.  Or, you can just copy the Layer until you get the desired strength.  Here is what mine looks like:

That’s it!  If you want it to look a little grungey, click on the Eraser tool, then, select a different brush from the set.  Lower the size down to about ‘one/fourth(1/4)’ the size of your element.  I set mine to 500px.  Set the Opacity down low, like to 10-30%, as in the settings in the image above, then, ‘stamp’ over the element in a few random spots to get the desired degree of grunginess.  Go as intense or as subtle as you like with the erasure/grunginess.  It’s whatever you like.  You can leave it with out grunging it up if you prefer.  Here is what I got:

I put mine on a white background for display purposes, but, you can leave yours transparent.  Save it as a .PNG file and there ya go!  A new element to embellish a page or design.

Another cool thing you can do is to save the embellishment as a Pattern.  Make sure you have selected the Layer with the design on it.  Go to ‘Edit’>’Define Pattern’.  When the text box pops up, give it a name and hit ‘OK’.

If you’ve left the size at your element size, like my 1200px, the pattern will be rather large.  Either reduce the size of the element before you Define the Pattern or just lower the ‘Scale’ of the Pattern down when you go to apply it.  If you want a scrapbook-sized paper, for example, create a New Document the size and with whatever settings you need for your paper.  Click on the ‘Create Layer Adjustment’ icon at the bottom of the Layers Palette.

When the drop-down list opens, select Pattern.

 The Pattern you just ‘Defined and Saved’ should be the one that opens.  If not, click on the tiny arrow on the right side of the visible pattern in the Pattern selection box and select your Pattern from the list.

 Adjust the Scale of the Pattern and Move it around where you like at this time, then, click on ‘OK’.  Here is mine. I created a Layer just beneath my Pattern and filled it with color.

So, there you have it.  One brush set, several different uses!

Here is an embellishment that is sort of what I saw and wanted to make:

Or, they could be used as a Tag:

Click on the preview above to download the brushes.  I put the circular matte in the file, too, in case you might want that.  I did not include the .PNGS as they were uber ‘weighty’ – 15mbs average.  With 7 of them, that would make the folder to download humongous!  LOL  If you need them, I will provide them for you – no problem.  Please leave me a comment and I will zip them up and send you a link.  You could also go to Snap2Objects and download the ornaments there, since they did originate there.  When you open the .AI file in Photoshop, they’ll be in .PNG format and right at 3000px on the long side.  All you have to do is click ‘OK’.  This, or something similar, is what you will see, :

You would have to separate them for individual use.  If you use the Vectors, be sure you follow their Terms and link to Snap2Objects.com – not me.

I want to thank you for stopping by.  I hope the brushes and this tutorial will come in handy for you!

Soon, Miss Edna and I start giving you a new freebie for the month of November.  That will start the second Monday of the month, the 12th, I believe.  I have some more things to share with you, but, they can wait.  It’s late and I need to go to sleep!  LOL

Until next time,

SMILE!!

Blessings,

Su