Recolor Images to Match in a Layout/Design

This evening, I played in Photoshop with Teddi’s kits (aka: FoxeySquirrel). She just released 5 (that’s five!) new sets of goodies to her Scrapbook Graphics shop. (See note at bottom of page.)

I wanted to use a rather soft colorful background with a bold, dark ‘lady’. The lady is from “Wrinkly“, and the background from “Abstract Backgrounds”, both from FoxeySquirrel. The lady was too dark for the ‘Abstract Background’ I used. I thought about re-coloring the lady, but, that wouldn’t have looked right. Then, I recalled a technique in Photoshop, where you can take the colors from one photo and apply them to another. MATCH COLORS! Aha!

Here are the two images in Photoshop:

So, I opened the background and the lady in PS, each in their own doc (image above). They DO have to both be open in PS. The images DO NOT have to both be visible; they can be in different ‘Tabs’. You only have to see the one you wish to recolor. The two images also need to be close to the same size. I selected the lady image by clicking on it. Then, went to ‘Image’>’Adjustments’>’Match Color’. In the pop up box, look for the ‘Source’ image (2/3 way down the box) to ‘take’ the colors from. (See larger Color Match box image, below) In my case, I clicked on ‘Source’, then, from the list, selected the ‘other’ image, the background. It is in the little box now as, ‘FS_Abstract_Background_9’.

As soon as I clicked, and hit okay, the lady took on the coloring of my background! They look so much nicer together!

If you look at the ‘Color Match’ pop up box, there are adjustment sliders you can tweek the Intensity, Luminescence and Fade, so, fiddle with those to get the best color match you like!

Here is the layout I created using this technique:

Thank you!

 

NOTE: Other elements in my layout from “Tabitha”, by FoxeySquirrel.

NOTE: Sadly, ScrapbookGraphics will be closing shop this month. Maya is just broken-hearted. Go see her video if you wish. Teddi is moving to another shop, which she will announce soon!

Easily Install Photoshop Pre-sets – All in One Place

I wrote this tutorial one day after reading another online tutorial for installing brushes via the Adobe files on one’s C-drive.  That way works great, cut and dry!  But, it adds to the program’s size and, eventually, this can really slow down the loading and performance of the PS program.

Did You Know…?

Image 8

I want to show you all, once and for all, how easy it is to load presets into Photoshop.  This method works for all presets, is semi-permanent and takes very little space on your hard drive.  It’s called the ‘Preset Manager’.

(Note:  I use CS6.  It’s possible that you don’t see all the presets listed in CS6 in Elements.  It is my understanding you can access some others by clicking on ‘More’ in Layer styles/effects.  This may not be correct, so, the best I can do is tell you to Google installing these.  Sorry!)

We already know that a ‘pre-set’ is a brush, style, pattern, color palette, shape, etc.  What better way to deal with these than through the Preset Manager(PM).  You can access the PM by going to Edit>Presets>Preset Manager.

Image 3

Or, you can access it by going to any of the preset tools and clicking on the tiny icon at the top on the right.

Image 4

Image 7

The Preset Manager

Image 8

This is where all the action takes place.   I have my ‘brush’ manager open.  It’s getting full!  LOL

Now, obviously, as with the tutorial that inspired me to write this one, you can drop the individual presets into their perspective folders in Adobe’s files on your hard drive.  They are inside the program and will be until you manually remove them from that folder.  Follow this path, or one similar, on your pc:  C:Program Files (x86)AdobeAdobe Photoshop CS6Presets.  But, this adds them to the program ‘permanently’, in a way that makes it load slower.  (If you have too many loaded this way, when you try to change or ‘Re-set’ a preset, often, the entire list/menu isn’t viewable.)  I would only recommend doing this for special presets that you use all the time – as in every day.  By adding them to the PM, they stay in the program until you remove them, but, they don’t count near as much, if anything, against the program as far as taking up space and taking longer to load.

Check out the options you have with the PM:

If you want to load a new preset:

Image 10a

A window will open, then, navigate to the preset you want on your hard drive.

If you want to save an assortment of presets you frequently use, click on the ‘Save Set’ button.  (I save the ‘best of’ certain brushes, like ‘clouds’, for example, into one set for frequent use – making sure the designer’s name is on the individual preset for crediting, then, I label the set accordingly and save):

Image 10b

First, click on the preset you want to save.  If there are multiple presets, like if you just created a set of 24 gorgeous rose brushes, you need to click on the first preset, then, hold down the Shift key and click on the last preset you want.  All of the presets in between should be highlighted, too.  Or, you can hold Ctrl/Command and click on each preset, one at a time.  Either way, when you have selected all the presets you wish to save, click on the ‘Save Set’ button. (Some buttons will appear ‘grayed-out’ until you select at least one of the presets.)  Navigate to the place on your hard drive where you want to save and name it something catchy. Be sure to include your name or initials in the title!   Click Save.

Similarly, to Rename or Delete a preset, or presets, highlight the specific preset(s) and click on the appropriate button:

Image 10c

WHEN YOU DELETE A PRESET FROM THE PRESET MANAGER IT DOES NOT GO AWAY FOREVER!  It is just no longer in your manager.  If you need it again, go through the steps to ‘Load’ it again.

When you are done with all your presetting, click ‘Done’.

I use the term ‘preset’ throughout this tutorial.  Replace it with whatever you like – Brush, Style, Custom Shape, etc.  The same PM can be used for any and all presets, except Actions.  Here’s how!  At the top of the PM is a drop down menu.

Image 11

You can go to any of the other presets via the same manager.  (Exception:  Actions – no PM.)

So!  Any time you want to know how to load a brush or a pattern, maybe, the only thing you need to remember is the Preset Manager.  You don’t even have to reboot PS when you add a preset via the PM!  Jus’ keep on goin’!  LOL

Any time I can find a way to expedite the actions I perform with Photoshop, it is good.  Keystroke shortcuts are real helpful in performing many tasks quickly.  We haven’t learned any new one’s lately, so, how about this one?

Key-Stroke Shortcut

Ctrl/Cmd>’E’

This keystroke shortcut is one you can use to merge selected layers together.  Say, you are working on a layout and you have created the textured background.  With all the blending modes and adjustments, like Levels and Color Balance, often, when done, you may want to merge those layers together.  This can save space in the Layers Palette for the rest of the layout.  There are other ways to Merge – right-click and select Merge Layers, Flatten, Merge Down, Convert to Smart Object, etc.  This shortcut allows you to select multiple layers (hold Ctrl/Cmd and click on each layer you want to include in merge), then, hold Ctrl/Cmd and hit ‘E’.  Takes care of that!  LOL

I hope these things help you!  If you have any questions, please leave a comment and I will respond ASAP.

Thank you so much for your visit!

Su

Freebie PS Brushes and a Tutorial

A good Tuesday to you!  ‘Tis a little out of the norm for me, but, I had something to share with ya’ll.  I saw a design I really liked somewhere over the weekend.  I wish I had saved the link or something.  Anyway, it was several ‘floral ornaments’, so they are called, grouped together, for a really nice page embellishment.   So, I got the idea of creating some brushes of these ornaments for use in my scrap work and I thought I would share them with you all.  The designs came from Snap2Objects.com.

Click on the Preview if you would like to go snag these Vectors for yourself.  If you don’t know, Vectors, like .AI or .EPS file formats, will open in Photoshop.  They’re all Adobe.  (Directions below.)

  These would look nice behind a photo, as an element, or even as a background design.  You could create a pattern from them, as well.  The uses are only as limited as your imagination!  The ones I saw were ‘grunged’, but, I wanted to leave these ‘un-grunged’ to allow for different looks.  You can always grunge them up after you stamp them, right?  I’ll even show you how, if you want.  LOL  Here we go!

Download, unzip and install the brushes.  These were made in CS6.  What other programs they work in, I don’t know.  I’m sorry.  Open a new document at the size you would like the element to be.  I like 800-1500px, depending on the element.  Make it 300dpi, RGB, 8-bit, Transparent.  You can put a color background if you like.  That won’t matter.  We’ll just be using this to create the element.

Select a brush of your choice from the download and change the size to the size of your document, maybe a slight bit smaller.  These brushes are 1800-1900pxs, so, they are kind of large.  Choosing the color you would like, ‘stamp’ the ornament onto the page, on a New Layer.  You may have to stamp more than once, so, don’t lift the brush until you get the results.  Or, you can just copy the Layer until you get the desired strength.  Here is what mine looks like:

That’s it!  If you want it to look a little grungey, click on the Eraser tool, then, select a different brush from the set.  Lower the size down to about ‘one/fourth(1/4)’ the size of your element.  I set mine to 500px.  Set the Opacity down low, like to 10-30%, as in the settings in the image above, then, ‘stamp’ over the element in a few random spots to get the desired degree of grunginess.  Go as intense or as subtle as you like with the erasure/grunginess.  It’s whatever you like.  You can leave it with out grunging it up if you prefer.  Here is what I got:

I put mine on a white background for display purposes, but, you can leave yours transparent.  Save it as a .PNG file and there ya go!  A new element to embellish a page or design.

Another cool thing you can do is to save the embellishment as a Pattern.  Make sure you have selected the Layer with the design on it.  Go to ‘Edit’>’Define Pattern’.  When the text box pops up, give it a name and hit ‘OK’.

If you’ve left the size at your element size, like my 1200px, the pattern will be rather large.  Either reduce the size of the element before you Define the Pattern or just lower the ‘Scale’ of the Pattern down when you go to apply it.  If you want a scrapbook-sized paper, for example, create a New Document the size and with whatever settings you need for your paper.  Click on the ‘Create Layer Adjustment’ icon at the bottom of the Layers Palette.

When the drop-down list opens, select Pattern.

 The Pattern you just ‘Defined and Saved’ should be the one that opens.  If not, click on the tiny arrow on the right side of the visible pattern in the Pattern selection box and select your Pattern from the list.

 Adjust the Scale of the Pattern and Move it around where you like at this time, then, click on ‘OK’.  Here is mine. I created a Layer just beneath my Pattern and filled it with color.

So, there you have it.  One brush set, several different uses!

Here is an embellishment that is sort of what I saw and wanted to make:

Or, they could be used as a Tag:

Click on the preview above to download the brushes.  I put the circular matte in the file, too, in case you might want that.  I did not include the .PNGS as they were uber ‘weighty’ – 15mbs average.  With 7 of them, that would make the folder to download humongous!  LOL  If you need them, I will provide them for you – no problem.  Please leave me a comment and I will zip them up and send you a link.  You could also go to Snap2Objects and download the ornaments there, since they did originate there.  When you open the .AI file in Photoshop, they’ll be in .PNG format and right at 3000px on the long side.  All you have to do is click ‘OK’.  This, or something similar, is what you will see, :

You would have to separate them for individual use.  If you use the Vectors, be sure you follow their Terms and link to Snap2Objects.com – not me.

I want to thank you for stopping by.  I hope the brushes and this tutorial will come in handy for you!

Soon, Miss Edna and I start giving you a new freebie for the month of November.  That will start the second Monday of the month, the 12th, I believe.  I have some more things to share with you, but, they can wait.  It’s late and I need to go to sleep!  LOL

Until next time,

SMILE!!

Blessings,

Su

Mask Tutorial and a Link for Coding

Hi, everyone!  I have a couple of things I want to share with you today.  They are a mish-mash of topics, but, all should come in handy.  Shall we get started?  M’kay!

First up is a series of posts, “31 Days of Coding Basics”, to help you with some of the simpler codes you can use on your own blog or on others, like in the comments section.  This series is on This Bold Girl.com.  Coding is all of the Greek, or Swahili, I’m not sure which, that allows you to create some cool stuff on your blog or website.  It’s really ‘html’!  LOL  For instance, you can add a bold heading to each sub-section of a post if you are posting on several topics, as I often do (See Below).  You can add a link to a comment you make on someone else’s blog.  You can create lists, breaks, emphasis and italicization.  The last two are useful for me since these attributes don’t exist as options on the ‘visual’ page I post on here at WP.

None of the posts/instructions are very long or tedious.  Rather, you may just learn something quickly and easily.  Gwen, the ‘Bold Girl’, writes a good tutorial!  Give it a shot and see!  I know I was envious of those folks who could place links in their comments on other folks’ blogs.  Now, I can do it!  There may be a trick in there that you can use!

Look at the sub-title just below.  I used code to get it like that.

Key-Stroke Shortcut

Next up, I want to show you something.  It is kind of a keystroke, only different.  LOL  If you use Masks in Photoshop, this is a cool tip!  Say, you are extracting an item from an image.  I almost always apply a Mask to the image I am going to extract from.  This gives me the ability to change things and clean things up more easily.  It keeps your image ‘non-destructive.  Then, I begin selecting the item with the Quick Selection Tool, getting up close to the edges as possible.  When you are satisfied with the selecting, click on the ‘Add Layer Mask’ button at the bottom of the Layers Palette.  This should isolate your item.  If, instead, you’ve masked over the image in error, just switch the masking to the item by clicking on Select>Inverse, then, add the Mask.  (Whichever area you Mask, either the background or the circle, the selected area will remain visible, while the remaining area ‘disappears’, when the Mask button is clicked.)

Here is the tip!  If you would like to check the Mask to be sure there aren’t any places missing or ragged-looking, press ‘Alt(Options-Mac)’ and click on the Mask in the Layers Palette.  The Mask will be completely visible.  This is priceless on difficult images.  You can brush over any areas that you need to, then, simple do the same keystroke to return your image mode.  Or, just click somewhere on the mask’s Layer itself and the image reappears.

Here is a simple image I whipped up to show you how to do this.  I want to isolate the circle to use elsewhere.

Select the circle with the Quick Selection Tool.  Add the Mask.  Then, press ‘Alt'(Options-Mac)’ and click on the Mask in the Layers Palette.  You should see this:

Remember, White Reveals, Black Conceals.  The Layers Palette looks like this:

When you get the Mask cleaned up, and you are satisfied, simply click the same Keystroke or click anywhere on the grey part of the Layer.  This is the result:

(Though it is hard to see, the PS background pattern is showing all around the circle.  I can now save it as a .PNG file.)

When I get the Mask work done, I can right-click on the Mask and select ‘Apply Layer Mask’.

And, here is my newly extracted circle!

Being able to tweek the Mask is a perfect way to see what you may have missed while selecting.  My eyes aren’t as good as they used to be, so, this helps me bunches!  Because Masks are editable, you can make changes by going over any areas with the opposite colors: black-conceals or white-reveals.

I think this will do for today.  I have some more things to share, so, watch for them.  Until then,

SMILE!

Hugs,

Su

“The Worms Crawl In, The Worms Crawl Out” – Freebie and Tut

Greetings, All!  I’m back to share a little more gross-ness with ya for the spooky holidays coming up!  If you saw the QP’s for this month’s freebie, “Goth-n-Gore”, last week, one of them had a dirt background with grub worms crawling throughout.  I meant to include just the background in the kit, but, I forgot it.  So, I am going to go ya one better!  I will give it to you here, plus, I’ll show you how I made it, complete with resources!

Here is a preview of the QP’s from last week’s post:

Click on image to visit post.

Here is a preview of the ‘dirt’ texture I made:

The ‘grubs’ are from an ‘.ASL’ file from Sonarpos at DeviantArt.   Here is a preview of what it looks like:

Here is a zip of the texture and the pattern:

http://www.suruha.com/download/su_oct12/su_DirtWorms.zip

And, finally, the tutorial for the wormy-dirt background!

1 – In Photoshop, open the 3600X3600px ‘Dirt Texture’ from above.  Load the ‘.PAT’, Pattern, file.

2 – Create a ‘New File Document’ at 3600X3600px, 300DPI, RGB, Transparent Background.  Copy and paste the ‘Dirt Texture’ into this ‘new doc’.

3 – Create a ‘New Layer’ in the Layers Palette and fill it with the ‘Worm’ pattern.  I increased the ‘Size’ of the pattern to 200% for a better look.  This pattern is not seamless, but, since we are only showing several of the worms, it won’t matter.  Just avoid any ‘lines’ where the patterns don’t match.

4 – Slip the ‘Worm’ layer down underneath the ‘Dirt Texture’.

5 – Add a Layer Mask to the ‘Dirt Texture’ layer.

(A Layer Mask is white when you first apply it.  The image it is fully visible.  By painting over it with black, it ‘erases’ those parts of the Dirt Texture the mask is on.  This allows the image/pattern beneath to show through.  The beauty of masks is that, if you mess up, simply paint back over the area with white and start again!)

6 – Lower the Opacity of the ‘Dirt’ layer enough to see the Worms underneath.

7 – Click on the Mask to activate it.  With a soft brush, using black, ‘paint over’ several of the worms to expose them.  I lowered the ‘opacity’ of my brush to 15% to let the worms peek through gradually.  Brush over the lighter areas more than the darker areas, following the highlights and shading of the worm pattern.  You can vary the strokes to achieve a more random look.  It will appear as though the ‘worms’ are coming through the soil.

8 – Raise the Opacity of the Dirt Texture layer back to 100%.

9 – Add any enhancements or adjustments to the overall image, merge the layers and save!  That’s it!

Finally, here is one background I made if you don’t want to make this yourself.  Click on image to save it full size.  It is 3600x3600px @ 1.6mb.

I hope you understand my directions.  If not, post a comment and I will get back to you.  Have fun!

Hugs,

Su